https://lizania.com Lizania Cruz Thu, 14 May 2026 20:51:53 +0000 https://lizania.com en https://lizania.com/Slideshow-Cover Tue, 18 Feb 2020 03:27:51 +0000 Lizania Cruz https://lizania.com/Slideshow-Cover https://lizania.com/About Tue, 18 Feb 2020 03:27:55 +0000 Lizania Cruz https://lizania.com/About Lizania Cruz (she/her) is a Dominican participatory artist and designer interrogating systemic issues that are embedded in the public sphere by investigating constructions of belonging and otherness. These inquiries have led her to study the formations of language, mythmaking, and documented histories. Through long-term, participatory projects, she creates multimedia sculptural installations, photography, video, publications, and happenings. Cruz was a 2024–2025 Latinx Artist Fellow with the US Latinx Art Forum and was the recipient of the 2023 New York City Artadia Award. That same year, The Shed commissioned her installation Evidence 071: Frederick Douglass and the Commission of Inquiry for Open Call 2023. In 2021, she participated in ESTAMOS BIEN: LA TRIENAL 20/21 at El Museo del Barrio, the institution’s first national survey of Latinx artists, and in 52 Artists: A Feminist Milestone at the Aldrich Museum. She has presented solo exhibitions at A.I.R. Gallery, CUE Art Foundation, the International Studio &amp; Curatorial Program (ISCP), Alma Lewis, and Proxyco Gallery. Her work has also been shown at the Sharjah Design Biennale, ICA VCU, Vancouver Art Gallery, Brooklyn Museum, Untitled Art Miami Beach, NADA Miami, The High Line, Bemis Center for Contemporary Arts, and more. She has participated in numerous residencies and fellowships, including Yaddo, Saratoga Springs (2024); Fundación Ama Amoedo, Uruguay (2023); ISCP (2022); Planet Texas 2050 Artist Residency, University of Texas (2022); Jerome Hill Artist Fellowship in Visual Arts (2021–2022); Artists Circle on Climate Displacement Fellowship, Institute of Othering and Belonging, UC Berkeley (2021); Center for Book Arts (2020–2021); BRIClab: Contemporary Art (2020–2021); A.I.R. Gallery Fellowship (2020–2021); Robert Blackburn Printmaking Workshop Studio Immersion Project (2019); Stoneleaf Retreat (2019); IdeasCity, New Museum (2019); Recess Session (2019); Laundromat Project Create Change Fellowship (2017–2019); Design Trust for Public Space (2018); and Agora Collective, Berlin (2018). Her work has been featured in Hyperallergic, Fuse News, KQED Arts, Dazed Magazine, Garage Magazine, and The New York Times. Represented by Proxyco Gallery&nbsp;︎︎︎ ︎ info@lizania.com︎ @lizaniacruz<img width="1659" height="2096" width_o="1659" height_o="2096" data-src="https://freight.cargo.site/t/original/i/1c95b6c024fe139d143ee9676dc1a071f9f68eea8ae4edd421d78ccef26fe8da/LizaniaCruz_photobyLaurentChevalier_2025.jpg" data-mid="248414725" border="0" src="https://freight.cargo.site/w/1000/i/1c95b6c024fe139d143ee9676dc1a071f9f68eea8ae4edd421d78ccef26fe8da/LizaniaCruz_photobyLaurentChevalier_2025.jpg" /> Photo by Laurent Chevalier&nbsp; https://lizania.com/Recent Thu, 14 May 2026 20:51:53 +0000 Lizania Cruz https://lizania.com/Recent Recents&nbsp; Exhibitions America Today: Voices in Contemporary Prin, The Print Center Philadelphia, PA. Learn More ︎︎︎ Ayida, Institute of Contemporary Art, ICA Richmond, VA. Learn More&nbsp;︎︎︎ &nbsp; Lizania Cruz: Geography of Life #3, A.I.R. Gallery, NY. Learn More&nbsp;︎︎︎ NewsAward, 2026 Adobe Creative Resident at MoMA. Learn More&nbsp;︎︎︎&nbsp; WritingsReading the Register, September 15th, 2022, ISLAA. Read ︎︎︎Sugar as A Motive, January, 2022. Read&nbsp;︎︎︎ &nbsp; https://lizania.com/Geography-of-Life Wed, 05 Apr 2023 14:14:20 +0000 Lizania Cruz https://lizania.com/Geography-of-Life Geography of Life- December 2022 — Ongoing <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/5dfc5c03d2679db7068c5eeebdefd3e18aa3ac0876934c5f556a2e1a7861a648/IMG_4731.jpg" data-mid="203126684" border="0" src="https://freight.cargo.site/w/1000/i/5dfc5c03d2679db7068c5eeebdefd3e18aa3ac0876934c5f556a2e1a7861a648/IMG_4731.jpg" /> Outer view installation, Campo Fest, Garzón, Uruguay, 2022 Geography of Life is a research-based site-specific body of work in the form of installation and education curriculum that documents the relationships of interdependency between humans and nature and the effects of an expanding tropic globally. <img width="1024" height="1024" width_o="1024" height_o="1024" data-src="https://freight.cargo.site/t/original/i/5e069d038c3eb8c6e1c9b31d3572976669099a6ac58242a792d6784373f3e414/4D12F643-CBE4-4161-8CD7-93BD202B7850.JPG" data-mid="203126715" border="0" src="https://freight.cargo.site/w/1000/i/5e069d038c3eb8c6e1c9b31d3572976669099a6ac58242a792d6784373f3e414/4D12F643-CBE4-4161-8CD7-93BD202B7850.JPG" /> <img width="1440" height="1440" width_o="1440" height_o="1440" data-src="https://freight.cargo.site/t/original/i/7e1345f39acaf2fed528696820676ab6d029573e48c44bd3f001a586e50383a1/C0085373-964E-4DB6-A26B-F2D0EF6FB5AD.JPG" data-mid="233369187" border="0" src="https://freight.cargo.site/w/1000/i/7e1345f39acaf2fed528696820676ab6d029573e48c44bd3f001a586e50383a1/C0085373-964E-4DB6-A26B-F2D0EF6FB5AD.JPG" /> <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/170dd0912223e443b23d7839646536191474bfdc4a365c64fbcc3321f3ddbd77/LC_GeographyofLife_2022_6.jpg" data-mid="233370091" border="0" src="https://freight.cargo.site/w/1000/i/170dd0912223e443b23d7839646536191474bfdc4a365c64fbcc3321f3ddbd77/LC_GeographyofLife_2022_6.jpg" />Interior view installation, Campo Fest, Garzón, Uruguay. 2022 <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/0abba99cb4e2ec00e9ef2b82423b76b0341a72b79e26b05c9516b34169e3ab66/LC_GeographyofLife_2022_7.jpg" data-mid="233370092" border="0" src="https://freight.cargo.site/w/1000/i/0abba99cb4e2ec00e9ef2b82423b76b0341a72b79e26b05c9516b34169e3ab66/LC_GeographyofLife_2022_7.jpg" /> Exterior view installation, Campo Fest, Garzón, Uruguay. 2022 Geography of Life #1 Pueblo Garzón, Uruguay, 2022 Inspired by the work of Uruguayan parasitologist Rodolfo V. Talice, Geography of Life (#1), 2022 is a site-specific installation in Garzón, Uruguay that brings awareness to Neglected Tropical Diseases (NTDs), specifically Chagas. According to the Clemente Estable Biological Research Institute, over 6 million people are estimated to have Chagas worldwide. The kissing bug, or vinchuca, an insect that transmits the Trypanosoma cruzi (T. cruzi) parasite, causing Chagas, it is said to have been introduced in the Americas through colonization. To teach children about Chagas and mitigation, I partnered with a local school and conducted an art-making class in Pueblo Garzón. Together, we read the classic tale The Feather Pillow by Horacio Quiroga and drew kissing bugs which, in the story, transmitted Chagas to the protagonist subsequently killing her. For the installation, I replaced the roof of a dilapidated house with yellow "shade cloth," a material used to protect food crops from sun rays in the tropics. The school children's kissing bug drawings were displayed within the house with descriptions of current conditions in the tropics. <img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/f8cfaaa4d8d75b87b7209f07d916bb7b17e7845a719956afcc5cd70f2d5f2198/LC_GeographyofLife_2022_3.jpg" data-mid="233370065" border="0" src="https://freight.cargo.site/w/1000/i/f8cfaaa4d8d75b87b7209f07d916bb7b17e7845a719956afcc5cd70f2d5f2198/LC_GeographyofLife_2022_3.jpg" /> <img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/52a6da41c567b2e776b51afa940986955bf842c830e9b82d98a8bedb449f53f7/LC_GeographyofLife_2022_5.jpg" data-mid="233370076" border="0" src="https://freight.cargo.site/w/768/i/52a6da41c567b2e776b51afa940986955bf842c830e9b82d98a8bedb449f53f7/LC_GeographyofLife_2022_5.jpg" /> <img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/f7020bdc828d7ac027c47c876b1ec37c919443542d6fdd63efcfc8dc971aa882/LC_GeographyofLife_2022_4.jpg" data-mid="233370073" border="0" src="https://freight.cargo.site/w/1000/i/f7020bdc828d7ac027c47c876b1ec37c919443542d6fdd63efcfc8dc971aa882/LC_GeographyofLife_2022_4.jpg" /> <img width="3200" height="2400" width_o="3200" height_o="2400" data-src="https://freight.cargo.site/t/original/i/184b01f44f5f420138e8def3ab367632e985edee05d2e96e602b248fece4ccd7/LC_GeographyofLife_2022.jpg" data-mid="233370066" border="0" src="https://freight.cargo.site/w/1000/i/184b01f44f5f420138e8def3ab367632e985edee05d2e96e602b248fece4ccd7/LC_GeographyofLife_2022.jpg" /> Workshop Documentation at local school pueblo Garzón, 2022 <img width="2560" height="1920" width_o="2560" height_o="1920" data-src="https://freight.cargo.site/t/original/i/72ec88478f1f9e980eea50e1241a301773e453a0c5834d1cacf4426103fa6ca2/IMG_2379-scaled.jpeg" data-mid="233431637" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/72ec88478f1f9e980eea50e1241a301773e453a0c5834d1cacf4426103fa6ca2/IMG_2379-scaled.jpeg" /> Geography of Life #2, P.S. 48 Mapleton School &amp; Artist Alliance, Brooklyn, NY, 2024 In collaboration with 2nd-grade students from P.S. 48 Mapleton School, I created an artmaking workshop series that reflected on the historical, existent, and potential futuristic forms of interdependent relationships between human and non-human life. Coming together for six 90-minute sessions, participating students explored the following questions: What is interdependency, and what does it look like in our school and neighborhood block?How does interdependence show up in your family?How are we interdependent with water? &nbsp; <img width="2281" height="1521" width_o="2281" height_o="1521" data-src="https://freight.cargo.site/t/original/i/463b4f449f5d71d15b8a672b128ead59802938c5fb35a41c6942dc306014c3b4/AAI_PS48_Lizania_021.jpg" data-mid="233431640" border="0" src="https://freight.cargo.site/w/1000/i/463b4f449f5d71d15b8a672b128ead59802938c5fb35a41c6942dc306014c3b4/AAI_PS48_Lizania_021.jpg" /> <img width="2281" height="1521" width_o="2281" height_o="1521" data-src="https://freight.cargo.site/t/original/i/6ef45da8392c16734ba900996f15f2a37be0dfb2dfe290a8a715d2bc612c6bf2/AAI_PS48_Lizania_031.jpg" data-mid="233431642" border="0" src="https://freight.cargo.site/w/1000/i/6ef45da8392c16734ba900996f15f2a37be0dfb2dfe290a8a715d2bc612c6bf2/AAI_PS48_Lizania_031.jpg" /> <img width="2281" height="1521" width_o="2281" height_o="1521" data-src="https://freight.cargo.site/t/original/i/8b0b1a3fabe857398fbebafc8b70a9a7440b735e43cb51d29f36f06f58de9b7f/AAI_PS48_Lizania_028.jpg" data-mid="233431641" border="0" src="https://freight.cargo.site/w/1000/i/8b0b1a3fabe857398fbebafc8b70a9a7440b735e43cb51d29f36f06f58de9b7f/AAI_PS48_Lizania_028.jpg" /> <img width="3024" height="2016" width_o="3024" height_o="2016" data-src="https://freight.cargo.site/t/original/i/70bb3dd40f8d0c632d089a791bc85540dc8135e8305e2a261a7df9748071c920/GeographyofLife_FamilyTree_crop.jpg" data-mid="233431666" border="0" src="https://freight.cargo.site/w/1000/i/70bb3dd40f8d0c632d089a791bc85540dc8135e8305e2a261a7df9748071c920/GeographyofLife_FamilyTree_crop.jpg" /> <img width="2208" height="1472" width_o="2208" height_o="1472" data-src="https://freight.cargo.site/t/original/i/c20c1d49f1bde35fda7f04a46eef1b392e6d3371c9419990c87676d34985dd66/AAI_PS48_Lizania_005.jpg" data-mid="233431710" border="0" src="https://freight.cargo.site/w/1000/i/c20c1d49f1bde35fda7f04a46eef1b392e6d3371c9419990c87676d34985dd66/AAI_PS48_Lizania_005.jpg" /> Photos by&nbsp;Manuel Molina Martagon &nbsp; ︎︎︎ Previous Next&nbsp; ︎ https://lizania.com/Obituaries-of-The-American-Dream Fri, 17 Mar 2023 15:11:54 +0000 Lizania Cruz https://lizania.com/Obituaries-of-The-American-Dream Obituaries of The American Dream- 2020-2021 <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/b2ea8364186dd4e8975c52a7e0f79534a1b00458328555fd44b553332c642ad3/LizaniaCruz_ObituariesoftheAmericanDream_2021.jpg" data-mid="206278904" border="0" src="https://freight.cargo.site/w/1000/i/b2ea8364186dd4e8975c52a7e0f79534a1b00458328555fd44b553332c642ad3/LizaniaCruz_ObituariesoftheAmericanDream_2021.jpg" />ESTAMOS BIEN: LA TRIENAL 20/21, El Museo del Barrio, NY. 2021 Obituaries of The American Dream is a participatory project that questions the ideal of individualism which is central to the American Dream. Participants were invited to share when and how the American Dream died for them. I designed their responses to take the form of obituaries. Then I placed the obituaries into an original newsprint along with essays, speeches, artists’ interventions, book reviews, and other written contributions that explore the origins and impact of individualism.. The “American dream” is the globally proliferated belief that all individuals, regardless of origin, can achieve upward class mobility through hard work. As coined by James Truslow Adams in The Epic America (1931), “all [individuals] should have access to this opportunity according to ability or achievement.” However, the “American dream” negates the United States’s legacy of chattel enslavement, structural racism, and patriarchy. Obituaries of The American Dream reveals how this belief is harmfully rooted in the prioritization of individual wealth instead of community well-being.Curators: Rodrigo Moura, Susanna Temkin, and Elia Alba <img width="2932" height="1804" width_o="2932" height_o="1804" data-src="https://freight.cargo.site/t/original/i/5f280dcedf4b9a6fc36ade105f8da0c560085179a63598a1a5fc6938b7c1a3e6/TheAmericanDream_Homepage_02.png" data-mid="172075340" border="0" src="https://freight.cargo.site/w/1000/i/5f280dcedf4b9a6fc36ade105f8da0c560085179a63598a1a5fc6938b7c1a3e6/TheAmericanDream_Homepage_02.png" /> Website Platform <img width="8256" height="5504" width_o="8256" height_o="5504" data-src="https://freight.cargo.site/t/original/i/1b7dd39cdeaad9c0f16a51f7e0767e9305e7f68e36a9eae53df642383383be79/2021emdb-exh_EstamosBien_00-01_LizaniaCruz2.JPG" data-mid="174226058" border="0" src="https://freight.cargo.site/w/1000/i/1b7dd39cdeaad9c0f16a51f7e0767e9305e7f68e36a9eae53df642383383be79/2021emdb-exh_EstamosBien_00-01_LizaniaCruz2.JPG" /> Newsprint detail view. ESTAMOS BIEN: LA TRIENAL 20/21, El Museo del Barrio, NY. 2021 Mentioned in: New York Times November 1st, 2021Obituaries of the American Dream Read more&nbsp;︎︎︎ Dazed Magazine August 20th, 2020This art project asks people about the day the American Dream died for them Read more&nbsp;︎︎︎ Hyperallergic October 19th, 202Mourning the Death of the American Dream Read more ︎︎︎ ︎ Previous Next&nbsp;︎ https://lizania.com/We-the-News Fri, 01 May 2020 17:40:31 +0000 Lizania Cruz https://lizania.com/We-the-News We the News- 2016 – 2022 <img width="2000" height="1331" width_o="2000" height_o="1331" data-src="https://freight.cargo.site/t/original/i/293992042b55f9a64682637728efe38f79cc293b65e939337cd56d84cec94141/LizaniaCruz_WetheNews_Homepage.jpg" data-mid="69318822" border="0" src="https://freight.cargo.site/w/1000/i/293992042b55f9a64682637728efe38f79cc293b65e939337cd56d84cec94141/LizaniaCruz_WetheNews_Homepage.jpg" />Happening at Word Up Community Book Store, Washington Heights, NY. 2018 A traveling newsstand that documents, publishes, and distributes the stories of Black im/migrants and first-generation Black Americans. Through a series of story circles, participants are able to recount their diasporic experiences and anecdotes, sharing their rituals and traditions. Each story circle is documented, recorded, transcribed, and edited in collaboration with the participants. The newsstand is activated as a happening that intervenes the public space and reclaims it with these narratives. Collaborators: Albert Saint Jean and The Black Alliance for Just Immigration (BAJI). Newsstand design Michael Yarinsky This project was possible thanks to the support of the Laundromat Project. <img width="1500" height="1498" width_o="1500" height_o="1498" data-src="https://freight.cargo.site/t/original/i/67f6b0c4d95946adcfc403ccba50473dd0ec23547f4105be765720290a5154f1/LizaniaCruz_WetheNews_WorkPage01.jpg" data-mid="69299079" border="0" src="https://freight.cargo.site/w/1000/i/67f6b0c4d95946adcfc403ccba50473dd0ec23547f4105be765720290a5154f1/LizaniaCruz_WetheNews_WorkPage01.jpg" />Happening at Untitled, Art Miami, Miami, FL. 2018 <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/898a671af5c7bdfe6d113922ec8d74f5891cda7bd604b849d869312c5fa54938/LizaniaCruz_WetheNews_WorkPage02.jpg" data-mid="69299829" border="0" src="https://freight.cargo.site/w/1000/i/898a671af5c7bdfe6d113922ec8d74f5891cda7bd604b849d869312c5fa54938/LizaniaCruz_WetheNews_WorkPage02.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/c18fb486b2237c2f33349ad9345c2bb3c601875443e6a10f80e5fb21d6cc9438/LizaniaCruz_WetheNews_WorkPage03.jpg" data-mid="69299830" border="0" src="https://freight.cargo.site/w/1000/i/c18fb486b2237c2f33349ad9345c2bb3c601875443e6a10f80e5fb21d6cc9438/LizaniaCruz_WetheNews_WorkPage03.jpg" /> Story Circles The story circles took place in Brooklyn, Manhattan, the Bronx, and Queens. Each was attended by eight to twelve participants. We collaborated with caribBEING, Hancock Street Community Garden, Word Up Community Book Store, and congress woman Alexandria Ocasio-Cortez at the Queens Public Library Langston Hughes, to host the storytelling circles. <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/5ff8f59dfd0bb426d876666827d3e7f9ae70f4790dd61311fb16201ddfb95560/LizaniaCruz_WetheNews_WorkPage04.jpg" data-mid="69304378" border="0" src="https://freight.cargo.site/w/1000/i/5ff8f59dfd0bb426d876666827d3e7f9ae70f4790dd61311fb16201ddfb95560/LizaniaCruz_WetheNews_WorkPage04.jpg" /> <img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/8a17f9253b0f0e4e0c9f3fdac0c3262db010421ad2a51e3d376ca44031cedfab/LizaniaCruz_WetheNews_WorkPage05.jpg" data-mid="69304399" border="0" src="https://freight.cargo.site/w/1000/i/8a17f9253b0f0e4e0c9f3fdac0c3262db010421ad2a51e3d376ca44031cedfab/LizaniaCruz_WetheNews_WorkPage05.jpg" /> <img width="1500" height="997" width_o="1500" height_o="997" data-src="https://freight.cargo.site/t/original/i/2100076b4c3a791ba38b0183a0d6a6831162569c6c9aec9ccf18ca50ff8b3dab/LizaniaCruz_WetheNews_WorkPage06.jpg" data-mid="69304400" border="0" src="https://freight.cargo.site/w/1000/i/2100076b4c3a791ba38b0183a0d6a6831162569c6c9aec9ccf18ca50ff8b3dab/LizaniaCruz_WetheNews_WorkPage06.jpg" /> Zines So far, 18 zines have been published and more than 500 zines have been distributed in different activations and public interventions. Half of the zines have been translated to Spanish. <img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/aaab4052d2902ecef2818d03263fce168e3d85abfe9f5d6c2d12d86a5cff0943/LizaniaCruz_WetheNews_WorkPage12.jpg" data-mid="69318831" border="0" src="https://freight.cargo.site/w/1000/i/aaab4052d2902ecef2818d03263fce168e3d85abfe9f5d6c2d12d86a5cff0943/LizaniaCruz_WetheNews_WorkPage12.jpg" /> <img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/708376132d8f58542ca9f0c6253d160037426a44238f762f4613b84c1aff801d/LizaniaCruz_WetheNews_WorkPage14.jpg" data-mid="69319228" border="0" src="https://freight.cargo.site/w/1000/i/708376132d8f58542ca9f0c6253d160037426a44238f762f4613b84c1aff801d/LizaniaCruz_WetheNews_WorkPage14.jpg" /> <img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/6787ce60996bb01fb265e8277a43b18a079fd19d482051fc301acfe523f5f223/LizaniaCruz_WetheNews_WorkPage13.jpg" data-mid="69319044" border="0" src="https://freight.cargo.site/w/1000/i/6787ce60996bb01fb265e8277a43b18a079fd19d482051fc301acfe523f5f223/LizaniaCruz_WetheNews_WorkPage13.jpg" /> <img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/7d5374d2dec75496f76c9f64e9e204ea44142218d36f5a61f8dc5196fd3b897a/LizaniaCruz_WetheNews_WorkPage15.jpg" data-mid="69322197" border="0" src="https://freight.cargo.site/w/1000/i/7d5374d2dec75496f76c9f64e9e204ea44142218d36f5a61f8dc5196fd3b897a/LizaniaCruz_WetheNews_WorkPage15.jpg" /> Public Happenings The We the News newsstand&nbsp; traveled to : Queens Museum and Printed Matter Art Book Fair at MoMA PS1&nbsp; in Queens; Bard College in Hudson River Valley, New York; the corner of Nostrand Avenue and Jefferson Avenue in Bedford-Stuyvesant, Restoration Plaza, and Jenkins Johnson Projects Gallery in Brooklyn; Press Play Fair at Pioneer Works in Brooklyn; “Black Love Fest” at Sugar Hill Children’s Museum of Art and Storytelling in Harlem; Word Up Community Bookshop/Librería Comunitaria in Washington Heights; Forward Union at Red Bull Art Space in Manhattan; UNTITLED, ART and Little Haiti Cultural Center in Miami; August Wilson Center in Pittsburgh and City of Asylum in Pittsburgh. <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/8d97adbd038bc14b41c5a595f931c240be14b3b7622d6bda6c614222699ea6a6/LizaniaCruz_WetheNews_WorkPage09.jpg" data-mid="69312396" border="0" src="https://freight.cargo.site/w/1000/i/8d97adbd038bc14b41c5a595f931c240be14b3b7622d6bda6c614222699ea6a6/LizaniaCruz_WetheNews_WorkPage09.jpg" /> Restoration Plaza This activation highlighted BAJI’s work for the No New Jails NYC. We asked passerbyers to share reflection on this question: how would you spend $11 billion to help your community? After the proposed closure of Rikers,&nbsp; $11 billion was the state budget to build new jails.&nbsp; We also hosted Julissa Herrera who read an excerpt of the zine which recounts her story Mapping Our Role: Finding Space in America as well as hosted a panel discussion on Archiving Histories &amp; Blurring the Boundaries of Art with the participation of Nontsikelelo Mutiti, Albert St. Jean, Julissa Herrera and myself, Lizania Cruz. We distributed free We the News zines and played music while serving food. <img width="1181" height="1500" width_o="1181" height_o="1500" data-src="https://freight.cargo.site/t/original/i/5bca086aa16777120e76db473c84d56ca6bc7f048cf59027425b367c4b0a0dd8/WeTheNews_RestorationPlaza_2.jpg" data-mid="73316102" border="0" data-scale="97" src="https://freight.cargo.site/w/1000/i/5bca086aa16777120e76db473c84d56ca6bc7f048cf59027425b367c4b0a0dd8/WeTheNews_RestorationPlaza_2.jpg" /> <img width="1500" height="905" width_o="1500" height_o="905" data-src="https://freight.cargo.site/t/original/i/8c0273517bca52d0879d562daf958c84745dc00feee71573d578697909a04bda/WetheNews_RestorationPlaza_3.jpg" data-mid="73316271" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/8c0273517bca52d0879d562daf958c84745dc00feee71573d578697909a04bda/WetheNews_RestorationPlaza_3.jpg" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/c3e3d966189ef2a2eeaacd89dbb1b7f4cd353efe59c1a2b01fb217afad595e40/IMG_8488.JPG" data-mid="73316331" border="0" src="https://freight.cargo.site/w/1000/i/c3e3d966189ef2a2eeaacd89dbb1b7f4cd353efe59c1a2b01fb217afad595e40/IMG_8488.JPG" /> <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/dccf036449620f8e70c92b303dc16363a8407c276618097c1248dfda21e1a90d/WetheNews_RestorationPlaza.jpg" data-mid="73316336" border="0" src="https://freight.cargo.site/w/1000/i/dccf036449620f8e70c92b303dc16363a8407c276618097c1248dfda21e1a90d/WetheNews_RestorationPlaza.jpg" /> In the Gallery&nbsp; Iterations of We the News have been presented in gallery spaces such as Jenkins Johnson Projects Gallery, Oolite Arts, and as part of the Laundromat Project Soapbox party. Each activation invites the audience&nbsp; to contribute to the installation by filling out the statement “Immigrants are [Blank], So am I,” or they are invited to take zines with them. <img width="998" height="1050" width_o="998" height_o="1050" data-src="https://freight.cargo.site/t/original/i/ea366f6cbaf4b3f2281729936cab1cefb192d57ee16da89b762d8c186f2191c7/LizaniaCruz_WetheNews_WorkPage15.jpg" data-mid="69317133" border="0" data-scale="100" src="https://freight.cargo.site/w/998/i/ea366f6cbaf4b3f2281729936cab1cefb192d57ee16da89b762d8c186f2191c7/LizaniaCruz_WetheNews_WorkPage15.jpg" />&nbsp;Block Party,&nbsp;Jenkin Johnson Projects Gallery, 2018 <img width="1478" height="1101" width_o="1478" height_o="1101" data-src="https://freight.cargo.site/t/original/i/287037e6d5c1dbedda7733e61a705c3f93e922eed64dd166f90494b260238c4a/LizaniaCruz_WetheNews_WorkPage16.jpg" data-mid="69317595" border="0" data-scale="99" src="https://freight.cargo.site/w/1000/i/287037e6d5c1dbedda7733e61a705c3f93e922eed64dd166f90494b260238c4a/LizaniaCruz_WetheNews_WorkPage16.jpg" />&nbsp;The&nbsp;Laundromat Project Soapbox party, 2018 <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/4e7be775bc1213a6dc896c1b6284cf89126e81d7200c10f0675a34df98fdb0bf/LizaniaCruz_WetheNews_WorkPage20.jpg" data-mid="70141440" border="0" src="https://freight.cargo.site/w/1000/i/4e7be775bc1213a6dc896c1b6284cf89126e81d7200c10f0675a34df98fdb0bf/LizaniaCruz_WetheNews_WorkPage20.jpg" />Parallels and Peripheries,&nbsp;Oolite Art, 2018 Workshops In addition to the newstand, I created a series of workshops which invited participants&nbsp; to trace and share their migration routes, as well as create collages in responses to the stories shared in the zines. The workshops have taken place at: the TAMA Street Festival in Bedford-Stuyvesant, The Brooklyn Conference: Inspiring Social Change at the Brooklyn Museum in Brooklyn, and Park Armory’s Looking Back | Looking Forward: Culture in a Changing America in Manhattan. <img width="1000" height="1003" width_o="1000" height_o="1003" data-src="https://freight.cargo.site/t/original/i/88254b19db04931c7ac7a8af5d329be9d9e2ec774dac89865171f4f0320d840e/LizaniaCruz_WetheNews_WorkPage19.jpg" data-mid="69956485" border="0" src="https://freight.cargo.site/w/1000/i/88254b19db04931c7ac7a8af5d329be9d9e2ec774dac89865171f4f0320d840e/LizaniaCruz_WetheNews_WorkPage19.jpg" /> <img width="1500" height="1081" width_o="1500" height_o="1081" data-src="https://freight.cargo.site/t/original/i/d6dd12bf7fd604ee2b252052d6a61b5bcd4fe86447cfe2c77c868d7d39f3b3b8/LizaniaCruz_WetheNews_WorkPage16.jpg" data-mid="69956480" border="0" src="https://freight.cargo.site/w/1000/i/d6dd12bf7fd604ee2b252052d6a61b5bcd4fe86447cfe2c77c868d7d39f3b3b8/LizaniaCruz_WetheNews_WorkPage16.jpg" /> Brooklyn Museum and TAMA Festival, 2017 <img width="1525" height="1081" width_o="1525" height_o="1081" data-src="https://freight.cargo.site/t/original/i/54f168f7a08ae0b7fa6f367abc27d93583201cd67baea5aa68024fc1b900f70d/LizaniaCruz_WetheNews_WorkPage17.jpg" data-mid="69956481" border="0" src="https://freight.cargo.site/w/1000/i/54f168f7a08ae0b7fa6f367abc27d93583201cd67baea5aa68024fc1b900f70d/LizaniaCruz_WetheNews_WorkPage17.jpg" /> <img width="1000" height="1002" width_o="1000" height_o="1002" data-src="https://freight.cargo.site/t/original/i/7d37bc296f6a89579f51f1f74ccd16dd53513125c6729fc487e975d510c46b74/LizaniaCruz_WetheNews_WorkPage18.jpg" data-mid="69956483" border="0" src="https://freight.cargo.site/w/1000/i/7d37bc296f6a89579f51f1f74ccd16dd53513125c6729fc487e975d510c46b74/LizaniaCruz_WetheNews_WorkPage18.jpg" /> TAMA Festival, 2017 and Park Armory, 2018 Mentioned in: Frank NewsJuly 15th, 2019 Reshaping The Immigration NarrativeRead more ︎︎︎ Urban Omnibus March 13th, 2019 We the News Read more ︎︎︎ Newsone February 21th, 2019 The One Story: The Plight of Black Immigrations in America Read more ︎︎︎ New York TimesAugust 16th, 2018 Where “Block Party” Has a Score of Meaning Read more&nbsp;︎︎︎ ︎ Previous Next&nbsp;︎ https://lizania.com/200-From-To-With-Love Tue, 18 Feb 2020 03:27:53 +0000 Lizania Cruz https://lizania.com/200-From-To-With-Love $200 From... To... -With Love- February 14, 2019 – April 6, 2019 <img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/ddcd88235f86f4ccf61230644d85eeaffc44d0e8b97910ccf556184efafe550e/LizaniaCruz_200FromTo_Workpage.jpg" data-mid="68351332" border="0" src="https://freight.cargo.site/w/1000/i/ddcd88235f86f4ccf61230644d85eeaffc44d0e8b97910ccf556184efafe550e/LizaniaCruz_200FromTo_Workpage.jpg" />Installation at Recess, Brooklyn, NY. 2019 Photos by Kris Graves Annually, remittances total over $500 billion dollars. In many countries, remittances make up a large portion of their GDP; in 2016 10.5% in the Philippines, 20% in El Salvador, and 32% in Haiti. $200 From... To... -With Love attempts to make visible the impact a dollar could have on&nbsp; im/migrants’ homelands. While at Recess, I solicited receipts from visitors, im/migrants and non-im/migrants, for purchases in the US, of $200 and under. These receipts became the basis for a series of 35 collages depicting how that same amount can be spent on a commonly used food item in one of the 15 countries with the highest remittances flow from the US. Collaborators and Organizations involved: Angy Abreu, Zain Alan, Zenayda Bonilla, Emmy Catedral, Deva Estin, Laia Garcia, Tatiana Godoy, Agustin Indaco, Cecilia Lim, Sarah L. Lopez, Oscar Nuñez, Alex Rivera, Gabrielle Rucker, Stefan Ruiz, Center for Urban Pedagogy, The Center for Family Life, and Qualitas For Life. <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/53cb20d80163318ac73a7c9af94d9bd71c63e0c3bed7a4a8048d0b057e3913e1/LizaniaCruz_200FromTo_Workpage_6.jpg" data-mid="68693482" border="0" src="https://freight.cargo.site/w/1000/i/53cb20d80163318ac73a7c9af94d9bd71c63e0c3bed7a4a8048d0b057e3913e1/LizaniaCruz_200FromTo_Workpage_6.jpg" /> <img width="3000" height="2022" width_o="3000" height_o="2022" data-src="https://freight.cargo.site/t/original/i/cd9f162ea7055a6492f059725dddd64f1d62f8ddd0d1796352589992b2b4c84d/LizaniaCruz_200FromTo_Workpage_1.jpg" data-mid="68673148" border="0" src="https://freight.cargo.site/w/1000/i/cd9f162ea7055a6492f059725dddd64f1d62f8ddd0d1796352589992b2b4c84d/LizaniaCruz_200FromTo_Workpage_1.jpg" />Full view installation, Recess, Brooklyn, NY. 2019 &nbsp; From Receipts to Collages Participants were invited to leave their receipt on the “receipt wall,” in a pocket holder, along with their name, amount spent, and description of what they spent it on. As the project developed, collages were posted daily on the wall of the gallery. <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/84ffca0f9ea5f01339cf67d9e8d9f1b5236223b29377fc148777f9083d4a4225/LizaniaCruz_200FromTo_Workpage_5.jpg" data-mid="68675971" border="0" src="https://freight.cargo.site/w/1000/i/84ffca0f9ea5f01339cf67d9e8d9f1b5236223b29377fc148777f9083d4a4225/LizaniaCruz_200FromTo_Workpage_5.jpg" /> <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/7f1df965cdaddfb1444cc4ab6d28cf06332b761ef8f8ea4a9bf9ab1503ee7caf/LizaniaCruz_200FromTo_Workpage_4.jpg" data-mid="68675977" border="0" src="https://freight.cargo.site/w/1000/i/7f1df965cdaddfb1444cc4ab6d28cf06332b761ef8f8ea4a9bf9ab1503ee7caf/LizaniaCruz_200FromTo_Workpage_4.jpg" /> <img width="998" height="1500" width_o="998" height_o="1500" data-src="https://freight.cargo.site/t/original/i/50e22bb618445b4c617a831a2cac6bc6a16518e4958d467898d0c85514e152aa/LizaniaCruz_200FromTo_Workpage_16.jpg" data-mid="68705363" border="0" src="https://freight.cargo.site/w/998/i/50e22bb618445b4c617a831a2cac6bc6a16518e4958d467898d0c85514e152aa/LizaniaCruz_200FromTo_Workpage_16.jpg" /> <img width="998" height="1500" width_o="998" height_o="1500" data-src="https://freight.cargo.site/t/original/i/c12ef5c8d5af9589d221e90a2bb7578cfdd7e542a1e1d2261ae85626d3dd40b1/LizaniaCruz_200FromTo_Workpage_17.jpg" data-mid="68705366" border="0" src="https://freight.cargo.site/w/998/i/c12ef5c8d5af9589d221e90a2bb7578cfdd7e542a1e1d2261ae85626d3dd40b1/LizaniaCruz_200FromTo_Workpage_17.jpg" /> <img width="998" height="1500" width_o="998" height_o="1500" data-src="https://freight.cargo.site/t/original/i/e7b8434727f4c21be73ff9b526677d9b629f7a8c724b7923ac59355dbd8d8275/LizaniaCruz_200FromTo_Workpage_18.jpg" data-mid="68705368" border="0" src="https://freight.cargo.site/w/998/i/e7b8434727f4c21be73ff9b526677d9b629f7a8c724b7923ac59355dbd8d8275/LizaniaCruz_200FromTo_Workpage_18.jpg" /> <img width="998" height="1500" width_o="998" height_o="1500" data-src="https://freight.cargo.site/t/original/i/c5f5f715018b5a96c56b2833586c59b9c556862f503e9b269da52afa2046050c/LizaniaCruz_200FromTo_Workpage_19.jpg" data-mid="68706821" border="0" src="https://freight.cargo.site/w/998/i/c5f5f715018b5a96c56b2833586c59b9c556862f503e9b269da52afa2046050c/LizaniaCruz_200FromTo_Workpage_19.jpg" /> Collages examples, 13 x 19 inches. 2019 Volvio Juanita Perfume and Relative Privilege Chart As part of this installation, in collaboration with perfumer Tatiana Godoy, we created a scent inspired by my memory of the New York suitcase. We used Tide and Bounty detergents, NYC soil, and&nbsp; laundry drying sheets to replicate the smell. Additionally, I collaborated with Cecilia Lim and Deva Estin, organizers with Queens Hate Free Zone, in creating an ally workshop that used a Relative Privilege Chart to chart participant's privileges and how those privileges may be used to help folks in the im/migrant movement and community. <img width="1660" height="1500" width_o="1660" height_o="1500" data-src="https://freight.cargo.site/t/original/i/774f408ce829165d196c09ce089f67736a5520f25e7ccfd9041af5aabe5a2744/LizaniaCruz_200FromTo_Workpage_7.jpg" data-mid="68695878" border="0" src="https://freight.cargo.site/w/1000/i/774f408ce829165d196c09ce089f67736a5520f25e7ccfd9041af5aabe5a2744/LizaniaCruz_200FromTo_Workpage_7.jpg" /> <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/451bb8060a9b0a846117ba3dc811a067913e12b3b77778c197f43f7abb4f3579/LizaniaCruz_200FromTo_Workpage_9.jpg" data-mid="68695880" border="0" src="https://freight.cargo.site/w/1000/i/451bb8060a9b0a846117ba3dc811a067913e12b3b77778c197f43f7abb4f3579/LizaniaCruz_200FromTo_Workpage_9.jpg" /> <img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/5600e841265b298a90f09b24ee6d721c73ea13ab5c905eaca7c8ad4b6eb187a3/LizaniaCruz_200FromTo_Workpage_10.jpg" data-mid="68696623" border="0" src="https://freight.cargo.site/w/1000/i/5600e841265b298a90f09b24ee6d721c73ea13ab5c905eaca7c8ad4b6eb187a3/LizaniaCruz_200FromTo_Workpage_10.jpg" /> <img width="1125" height="1500" width_o="1125" height_o="1500" data-src="https://freight.cargo.site/t/original/i/16cda84f14ca70292e9819a1c82a93e24b8d5076e020c3cb14ddc6258f1bb800/LizaniaCruz_200FromTo_Workpage_11.jpg" data-mid="68696638" border="0" src="https://freight.cargo.site/w/1000/i/16cda84f14ca70292e9819a1c82a93e24b8d5076e020c3cb14ddc6258f1bb800/LizaniaCruz_200FromTo_Workpage_11.jpg" /> <img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/1720e3d99f505793e5981fa798e1a6e4705d98eedb733d6431fec055218bb698/LizaniaCruz_200FromTo_Workpage_12.jpg" data-mid="68696625" border="0" src="https://freight.cargo.site/w/1000/i/1720e3d99f505793e5981fa798e1a6e4705d98eedb733d6431fec055218bb698/LizaniaCruz_200FromTo_Workpage_12.jpg" /> <img width="1500" height="1094" width_o="1500" height_o="1094" data-src="https://freight.cargo.site/t/original/i/a267885dac261bd19cddbac6f9a95375b57e1d2a4d80921242d72a4124a23471/LizaniaCruz_200FromTo_Workpage_15.jpg" data-mid="68696870" border="0" src="https://freight.cargo.site/w/1000/i/a267885dac261bd19cddbac6f9a95375b57e1d2a4d80921242d72a4124a23471/LizaniaCruz_200FromTo_Workpage_15.jpg" /> <img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/ae9e74df3bc52d4f9bb7f75804c191fc898c972c67a1558e5b2f7ce43deace94/LizaniaCruz_200FromTo_Workpage_14.jpg" data-mid="68696727" border="0" src="https://freight.cargo.site/w/1000/i/ae9e74df3bc52d4f9bb7f75804c191fc898c972c67a1558e5b2f7ce43deace94/LizaniaCruz_200FromTo_Workpage_14.jpg" /> A simple sentence in response. While at Recess, I invited writers Laia Garcia and Gabrielle Rucker to visit the installation and create a simple sentence: the use of Subject + Verb + Adjective in response to the project. They had to collaborate on the sentence without any edits or suggestions from me. Read their conversation to come up with the sentence here&nbsp;︎︎︎. <img width="1500" height="1065" width_o="1500" height_o="1065" data-src="https://freight.cargo.site/t/original/i/aec0470b7bb96ad89f6e5ef78187b3d13a02ade042844862bea3d78b33461e06/LizaniaCruz_200FromTo_Workpage_20.jpg" data-mid="68709261" border="0" src="https://freight.cargo.site/w/1000/i/aec0470b7bb96ad89f6e5ef78187b3d13a02ade042844862bea3d78b33461e06/LizaniaCruz_200FromTo_Workpage_20.jpg" /> <img width="1500" height="1065" width_o="1500" height_o="1065" data-src="https://freight.cargo.site/t/original/i/8103873bb5b4c7cc0aea2d27cedc3b318e7d88a1ac2542867ab6d00558618b11/LizaniaCruz_200FromTo_Workpage_21.jpg" data-mid="68710036" border="0" src="https://freight.cargo.site/w/1000/i/8103873bb5b4c7cc0aea2d27cedc3b318e7d88a1ac2542867ab6d00558618b11/LizaniaCruz_200FromTo_Workpage_21.jpg" /> Is aid working as we’d hoped? As an activation for the closing event, I collected receipts from the first 25 people who entered the gallery space in order to calculate and weigh the amount of rice one could buy in Haiti with the total amount of each receipt. I poured the rice into sacks, along with a printed cover with the following question: “Is aid working as we’d hope?” I mailed the sacks to the Washington D.C. office of the Director of USAID in Haiti. <img width="1500" height="1168" width_o="1500" height_o="1168" data-src="https://freight.cargo.site/t/original/i/f7e745cb100ac97573ef649047f73be9e578cf59b7565e17579021ea6588c072/LizaniaCruz_200FromTo_Workpage_25.jpg" data-mid="68713774" border="0" src="https://freight.cargo.site/w/1000/i/f7e745cb100ac97573ef649047f73be9e578cf59b7565e17579021ea6588c072/LizaniaCruz_200FromTo_Workpage_25.jpg" /> <img width="1125" height="1500" width_o="1125" height_o="1500" data-src="https://freight.cargo.site/t/original/i/d6142115ac20a64f2215167d5abfeadbebc59d0978f68e0c3b818e22c547d4cc/LizaniaCruz_200FromTo_Workpage_24.jpg" data-mid="68713773" border="0" src="https://freight.cargo.site/w/1000/i/d6142115ac20a64f2215167d5abfeadbebc59d0978f68e0c3b818e22c547d4cc/LizaniaCruz_200FromTo_Workpage_24.jpg" /> <img width="1500" height="1052" width_o="1500" height_o="1052" data-src="https://freight.cargo.site/t/original/i/ab66752286202997fa65d7f971166eba8b654459dfd330bc74263c9217df3831/LizaniaCruz_200FromTo_Workpage_26.jpg" data-mid="68713775" border="0" src="https://freight.cargo.site/w/1000/i/ab66752286202997fa65d7f971166eba8b654459dfd330bc74263c9217df3831/LizaniaCruz_200FromTo_Workpage_26.jpg" /> <img width="1500" height="1146" width_o="1500" height_o="1146" data-src="https://freight.cargo.site/t/original/i/d60af8769c86b39c6fa530f94c99b58d0a465ef3e193ee1468c23702d5728d92/LizaniaCruz_200FromTo_Workpage_23.jpg" data-mid="68713772" border="0" src="https://freight.cargo.site/w/1000/i/d60af8769c86b39c6fa530f94c99b58d0a465ef3e193ee1468c23702d5728d92/LizaniaCruz_200FromTo_Workpage_23.jpg" /> In 2017, global development aid reached a new peak at&nbsp; $162 billion dollars. This is a fraction compared to the $500 billion dollars im/migrants send home annually, in remittances. In Haiti, remittances alone comprise 32.4% of Haiti’s GDP. With this gesture and through the installation, I questioned the structures behind current models of international aid and generated a dialogue on the impact im/migrants have in alleviating systemic poverty in their home countries. <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/ee9e6f6e1d80515e78d4ec48bb5614e948e6a067be7364b68e4b2a637d50d502/LizaniaCruz_200FromTo_Workpage_22.jpg" data-mid="68713095" border="0" src="https://freight.cargo.site/w/1000/i/ee9e6f6e1d80515e78d4ec48bb5614e948e6a067be7364b68e4b2a637d50d502/LizaniaCruz_200FromTo_Workpage_22.jpg" /> Recess Critical Writing piece by Danielle Wu Read it on Recess Website ︎ Recess Critical Writing program commissions emerging writers to pursue the underlying themes and ideas that inform individual Session projects, initiating meaningful exchanges between artists and writers and facilitating the mutual production of new work. ︎︎︎Previous&nbsp; Next&nbsp; ︎ https://lizania.com/Flowers-For-Immigration Mon, 27 Apr 2020 23:12:05 +0000 Lizania Cruz https://lizania.com/Flowers-For-Immigration Flowers for Immigration- 2016 – 2018 <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/c345bf0556ff980046fa32bf7b305dcf73ff85a10b62dd3c241e3100a9e3c510/LizaniaCruz_FlowersForImmigration_Homepage_22.jpg" data-mid="69278477" border="0" src="https://freight.cargo.site/w/1000/i/c345bf0556ff980046fa32bf7b305dcf73ff85a10b62dd3c241e3100a9e3c510/LizaniaCruz_FlowersForImmigration_Homepage_22.jpg" />You, if no one else Arlington Arts Center, Arlington VA, 2018 Beginning in&nbsp; 2016, just after Trump started campaigning for president, I have been inviting flower workers to participate in making a flower arrangement in response to, what would later be, his immigration policy. As they make the arrangement, I interview them asking why they selected certain flowers and their views on the president. Every day, these workers design flower arrangements for New Yorkers to use as a means of expressing themselves. And I wondered, how can these flower workers have the same opportunity of self-expression? Flowers for Immigration hopes to show the beauty in the resilience and creativity of these undocumented workers. Curators: Karyn Miller, You, If no one else. Common Interest, Dept. of Non-Binaries for&nbsp;Sharjah Graphic Design Biennale <img width="1500" height="957" width_o="1500" height_o="957" data-src="https://freight.cargo.site/t/original/i/dcc405e2151a4e433f559c079f7d0d82310de657ecc04042b9fdb7c1bcd32e26/LizaniaCruz_FlowersForImmigration_WomenMarch_20.jpg" data-mid="69032808" border="0" src="https://freight.cargo.site/w/1000/i/dcc405e2151a4e433f559c079f7d0d82310de657ecc04042b9fdb7c1bcd32e26/LizaniaCruz_FlowersForImmigration_WomenMarch_20.jpg" /> Photo by Elene Demenia <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/b71e7d46a9eb560428a21692c8be73594292da781a346a313eb4bd1eb0981035/LizaniaCruz_FlowersForImmigration_WorkPage_03.jpg" data-mid="68988748" border="0" src="https://freight.cargo.site/w/1000/i/b71e7d46a9eb560428a21692c8be73594292da781a346a313eb4bd1eb0981035/LizaniaCruz_FlowersForImmigration_WorkPage_03.jpg" /> Sharjah Graphic Design Biennale, Dept. of Non-Binaries, Sharjah, 2018 Flowers Arrangements and Their Testimonials <img width="1500" height="2101" width_o="1500" height_o="2101" data-src="https://freight.cargo.site/t/original/i/bbcb8505ce0f2a06b2623370a5fc61d11b8186341da315c0d5d0b7aa813545d1/LizaniaCruz_FlowersForImmigration_Nancy01WorkPage_04.jpg" data-mid="68991948" border="0" src="https://freight.cargo.site/w/1000/i/bbcb8505ce0f2a06b2623370a5fc61d11b8186341da315c0d5d0b7aa813545d1/LizaniaCruz_FlowersForImmigration_Nancy01WorkPage_04.jpg" /> <img width="1500" height="2101" width_o="1500" height_o="2101" data-src="https://freight.cargo.site/t/original/i/6f2f59d8beabf24cfce7d09df7cbf2ed4c5f8727be7ec88d5a8078171cea0563/LizaniaCruz_FlowersForImmigration_Nancy02WorkPage_05.jpg" data-mid="68991949" border="0" src="https://freight.cargo.site/w/1000/i/6f2f59d8beabf24cfce7d09df7cbf2ed4c5f8727be7ec88d5a8078171cea0563/LizaniaCruz_FlowersForImmigration_Nancy02WorkPage_05.jpg" /> <img width="1500" height="2101" width_o="1500" height_o="2101" data-src="https://freight.cargo.site/t/original/i/138d7a5c7dd88d5fc2ea7a057344c68f56d516f2a200653fd835fa34808860c6/LizaniaCruz_FlowersForImmigration_Nancy03WorkPage_06.jpg" data-mid="68991950" border="0" src="https://freight.cargo.site/w/1000/i/138d7a5c7dd88d5fc2ea7a057344c68f56d516f2a200653fd835fa34808860c6/LizaniaCruz_FlowersForImmigration_Nancy03WorkPage_06.jpg" /> Nancy, is a native of Hidalgo, México and has lived in the U.S. for 23 years. She was offended by Trump's words, not only as an immigrant, but as a women. She said “No creo que ese señor salió del vientre de una mujer” (I don’t think that man comes from a womxn's womb). Nancy picked a bright blue colored margarita for the center of the arrangement. She said “Una flor azúl porque es un hombre” (A blue flower because he is a man). <img width="1500" height="2250" width_o="1500" height_o="2250" data-src="https://freight.cargo.site/t/original/i/d191c2ae22830120c8487ed9859f92fc2a16794c76d683d7a138d9ed13fc47c8/LizaniaCruz_FlowersForImmigration_Ruben01WorkPage_22.jpg" data-mid="69043469" border="0" src="https://freight.cargo.site/w/1000/i/d191c2ae22830120c8487ed9859f92fc2a16794c76d683d7a138d9ed13fc47c8/LizaniaCruz_FlowersForImmigration_Ruben01WorkPage_22.jpg" /> <img width="1500" height="2250" width_o="1500" height_o="2250" data-src="https://freight.cargo.site/t/original/i/30fd9d9b14c1aa70b122a89f1590506f6a38bac3507b4b230491354e03dcc735/LizaniaCruz_FlowersForImmigration_Ruben02WorkPage_23.jpg" data-mid="69043470" border="0" src="https://freight.cargo.site/w/1000/i/30fd9d9b14c1aa70b122a89f1590506f6a38bac3507b4b230491354e03dcc735/LizaniaCruz_FlowersForImmigration_Ruben02WorkPage_23.jpg" /> <img width="1500" height="2250" width_o="1500" height_o="2250" data-src="https://freight.cargo.site/t/original/i/4ba084ba5b68896257b700cc2358852490a77893809177c03ae16908799f7ec7/LizaniaCruz_FlowersForImmigration_Ruben03WorkPage_21.jpg" data-mid="69043471" border="0" src="https://freight.cargo.site/w/1000/i/4ba084ba5b68896257b700cc2358852490a77893809177c03ae16908799f7ec7/LizaniaCruz_FlowersForImmigration_Ruben03WorkPage_21.jpg" /> Rubén is a native of Guerrero, México and has lived in New York City for over 10 years. He decided to use flowers that were imported from México — white gladiolas and eucalyptus. <img width="1500" height="2101" width_o="1500" height_o="2101" data-src="https://freight.cargo.site/t/original/i/a137269eb7d4f74a033a65ee8fa1c0da5cdcb7121709b4b5d6243b8fb993d5ea/LizaniaCruz_FlowersForImmigration_Viviana01WorkPage_07.jpg" data-mid="69002581" border="0" src="https://freight.cargo.site/w/1000/i/a137269eb7d4f74a033a65ee8fa1c0da5cdcb7121709b4b5d6243b8fb993d5ea/LizaniaCruz_FlowersForImmigration_Viviana01WorkPage_07.jpg" /> <img width="1500" height="2101" width_o="1500" height_o="2101" data-src="https://freight.cargo.site/t/original/i/3282c12d306b30aedb4df540d8b6151067f0a7106c140fc457f214903f798bdb/LizaniaCruz_FlowersForImmigration_Viviana02WorkPage_08.jpg" data-mid="69002582" border="0" src="https://freight.cargo.site/w/1000/i/3282c12d306b30aedb4df540d8b6151067f0a7106c140fc457f214903f798bdb/LizaniaCruz_FlowersForImmigration_Viviana02WorkPage_08.jpg" /> <img width="1500" height="2101" width_o="1500" height_o="2101" data-src="https://freight.cargo.site/t/original/i/8bcc80cb2b40bf6617e0ce0794465b91cbe9c1a455a56b90a0355617540f06a7/LizaniaCruz_FlowersForImmigration_Viviana03WorkPage_09.jpg" data-mid="69002583" border="0" src="https://freight.cargo.site/w/1000/i/8bcc80cb2b40bf6617e0ce0794465b91cbe9c1a455a56b90a0355617540f06a7/LizaniaCruz_FlowersForImmigration_Viviana03WorkPage_09.jpg" /> Viviana is a native of Puebla, México and has lived in the U.S. for 21 years. I asked Viviana to make an arrangement for Donald Trump and she exclaimed “Para que? Para su Tumba! Claro.” (For what? For his grave! Sure). She asked me how I arrived here. I said by plane, to which she replied, “Que lindo” (How beautiful). Viviana crossed the border by foot to meet some family here. Viviana picked margaritas, roses, baby's breath and lilies; “Las lilas las usan en los funerals” (They use lilies for funerals), she said. <img width="1500" height="2101" width_o="1500" height_o="2101" data-src="https://freight.cargo.site/t/original/i/749753aed84b838b897664232b24ac4527644d54f7ddd6886dc123a994b52b8e/LizaniaCruz_FlowersForImmigration_Silvio01WorkPage_13.jpg" data-mid="69031516" border="0" src="https://freight.cargo.site/w/1000/i/749753aed84b838b897664232b24ac4527644d54f7ddd6886dc123a994b52b8e/LizaniaCruz_FlowersForImmigration_Silvio01WorkPage_13.jpg" /> <img width="1500" height="2101" width_o="1500" height_o="2101" data-src="https://freight.cargo.site/t/original/i/1e5e297e4a1939a581c2fec17be9f37b27bcbd6c15b96a6b4b9563cdae99da31/LizaniaCruz_FlowersForImmigration_Silvio02WorkPage_14.jpg" data-mid="69031518" border="0" src="https://freight.cargo.site/w/1000/i/1e5e297e4a1939a581c2fec17be9f37b27bcbd6c15b96a6b4b9563cdae99da31/LizaniaCruz_FlowersForImmigration_Silvio02WorkPage_14.jpg" /> <img width="1500" height="2101" width_o="1500" height_o="2101" data-src="https://freight.cargo.site/t/original/i/4cce6b5ef8874334ba74fcf5cec124a322869554dd894ea436f7fc19ac570c93/LizaniaCruz_FlowersForImmigration_Silvio03WorkPage_15.jpg" data-mid="69031520" border="0" src="https://freight.cargo.site/w/1000/i/4cce6b5ef8874334ba74fcf5cec124a322869554dd894ea436f7fc19ac570c93/LizaniaCruz_FlowersForImmigration_Silvio03WorkPage_15.jpg" /> Silvio is&nbsp; a native of Guerrero, México; he&nbsp; crossed the border 17 years ago. Silvio picked all margaritas because they are his favorite flowers. <img width="2000" height="1429" width_o="2000" height_o="1429" data-src="https://freight.cargo.site/t/original/i/912a7640d5f596ffd0b1cb3125fef9513ac3ef9dc7c2449863f401898e0a6390/LizaniaCruz_FlowersForImmigration_RIP_16.jpg" data-mid="69031670" border="0" src="https://freight.cargo.site/w/1000/i/912a7640d5f596ffd0b1cb3125fef9513ac3ef9dc7c2449863f401898e0a6390/LizaniaCruz_FlowersForImmigration_RIP_16.jpg" /> R.I.P., The Maine Mall Food Court, Portland, ME&nbsp; 2019 photo by&nbsp;Joel Tsui <img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/bcf825eb56de1ebac9da29b434724f3ae6bdb3d8b1e764f8da589aef36d9c0ca/LizaniaCruz_FlowersForImmigration_WomenMarch_19.jpg" data-mid="69032456" border="0" src="https://freight.cargo.site/w/1000/i/bcf825eb56de1ebac9da29b434724f3ae6bdb3d8b1e764f8da589aef36d9c0ca/LizaniaCruz_FlowersForImmigration_WomenMarch_19.jpg" /> <img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/25b69db848767105ff3d7ecaa7924aa6fc0651df3b432013c7f34783c48ec06c/LizaniaCruz_FlowersForImmigration_WorkPage_02.jpg" data-mid="78048295" border="0" src="https://freight.cargo.site/w/1000/i/25b69db848767105ff3d7ecaa7924aa6fc0651df3b432013c7f34783c48ec06c/LizaniaCruz_FlowersForImmigration_WorkPage_02.jpg" /> <img width="1209" height="1500" width_o="1209" height_o="1500" data-src="https://freight.cargo.site/t/original/i/548f585380d6f4b7ee39e259f8d1e9ed3f4072001a45d411a221d7f5a1788fab/LizaniaCruz_FlowersForImmigration_WomenMarch_17.jpg" data-mid="69032454" border="0" src="https://freight.cargo.site/w/1000/i/548f585380d6f4b7ee39e259f8d1e9ed3f4072001a45d411a221d7f5a1788fab/LizaniaCruz_FlowersForImmigration_WomenMarch_17.jpg" /> For the #womensmarch in 2017, one group of 10-12 womxn carried pieces of four bouquets from undocumented bodega flower workers in Manhattan. One of those arrangements was Silvio’s, a native of Guerrero, México who crossed the border 17 years ago. Silvio picked all margaritas because they were his favorite flowers. I invited marchers to carry flowers in solidarity with immigrant rights. A group of over 15 womxn carried sections of arrangements I previously collected from undocumented flower workers. Two of them, Tanya and Eva, marched in Washington with flowers. The rest of us marched in NYC. Thank you to all the marchers: Marissa Adele, Emilia Gonzalez, Arleene Correa, Lee-Ann Asha, Monica Nelson, Ian Hanesworth, Jen Vasquez, Jeanette Abbink, Tanya Quick, Eva Mayha,, Elene Damenia, Lucia Fainzilber, and Paula Lombardi. <img width="1994" height="1500" width_o="1994" height_o="1500" data-src="https://freight.cargo.site/t/original/i/75d3aff54ea7aaa551d22222aaf304332c67c611cfe8580a09142ffbb20c4e10/LizaniaCruz_FlowersForImmigration_WomenMarch_18.jpg" data-mid="69032455" border="0" src="https://freight.cargo.site/w/1000/i/75d3aff54ea7aaa551d22222aaf304332c67c611cfe8580a09142ffbb20c4e10/LizaniaCruz_FlowersForImmigration_WomenMarch_18.jpg" />Photo by Elene Demenia Mentioned in: Hyperallergic July 31st, 2017 Undocumented Immigrants Create Floral Arrangements for Trump Read more ︎︎︎ KQED Arts January 28th, 2017 ‘Say it with Flowers’: A Petaled Present of Presidential Protest Read more ︎︎︎ Fusion News November 21st, 2016 Why are undocumented Mexicans making flower arrangements for Donald Trump? Read more ︎︎︎ Art Directors ClubNovember 11th, 2016 Lizania Cruz: Flowers for Immigration Read More ︎︎︎ ︎ Previous Next&nbsp;︎ https://lizania.com/Here-There Wed, 06 May 2020 20:56:01 +0000 Lizania Cruz https://lizania.com/Here-There Here &amp; There- October 11, 2018 – Ongoing <img width="2000" height="1453" width_o="2000" height_o="1453" data-src="https://freight.cargo.site/t/original/i/b0fadf84a88fa1cf7418ae01ddf5fd33c209f1e6c3ffa4098db931a3fe1103f1/LizaniaCruz_Here-There_Homepage.jpg" data-mid="69967676" border="0" src="https://freight.cargo.site/w/1000/i/b0fadf84a88fa1cf7418ae01ddf5fd33c209f1e6c3ffa4098db931a3fe1103f1/LizaniaCruz_Here-There_Homepage.jpg" />Familiar Boundaries. Infinite Possibilities, The August Wilson African American Cultural Center Pittsburg, PA. 2018 In his book Familiar Stranger, Stuart Hall writes “...identity is not a set of fixed attributes, the unchanging essence of the inner self, but constantly shifting the process of positioning. We tend to think of identity as taking us back to our roots, the part of us which remains essentially the same across time. In fact, identity is always a never-completed process of becoming — a process of shifting identifications, rather than a singular, complete, finished state of being.” Here &amp; There is a participatory installation inspired by investigating this statement, the ongoing process of becoming. Participants are invited to fill in the statement, HERE I (AM//CAN BE) (blank) THERE (I AM/CAN BE)(blank) on an online website hereandthere.lizania.com as well as using an Ipad at the exhibition.. These responses were then printed onto flags, front and back, and hung throughout the gallery space.Curators: Kilolo Luckett, Familiar Boundaries. Infinite Possibilities. Larry Ossei-Mensah, Parallels and Peripheries: Migration and Mobility <img width="1500" height="907" width_o="1500" height_o="907" data-src="https://freight.cargo.site/t/original/i/8a3576fb03848402aaf2382bee333733d9e1afa9784c64dbddb33f2483e768f9/LizaniaCruz_Here-There_WorkPage_03.jpg" data-mid="70131130" border="0" src="https://freight.cargo.site/w/1000/i/8a3576fb03848402aaf2382bee333733d9e1afa9784c64dbddb33f2483e768f9/LizaniaCruz_Here-There_WorkPage_03.jpg" /> Website Platform <img width="1500" height="1001" width_o="1500" height_o="1001" data-src="https://freight.cargo.site/t/original/i/9401ab5fd9bc22c28f4ccae04a6c8cdb3a811ce8e6a7ad0e39475c62c0e7283d/LizaniaCruz_Here-There_WorkPage_01.jpg" data-mid="70131200" border="0" src="https://freight.cargo.site/w/1000/i/9401ab5fd9bc22c28f4ccae04a6c8cdb3a811ce8e6a7ad0e39475c62c0e7283d/LizaniaCruz_Here-There_WorkPage_01.jpg" />First week of the installation <img width="1500" height="1001" width_o="1500" height_o="1001" data-src="https://freight.cargo.site/t/original/i/49db3b7d353bbc6b62acfab4fb0032d712340b90f52248eebccc05a75cc3785c/LizaniaCruz_Here-There_WorkPage_02.jpg" data-mid="70131407" border="0" src="https://freight.cargo.site/w/1000/i/49db3b7d353bbc6b62acfab4fb0032d712340b90f52248eebccc05a75cc3785c/LizaniaCruz_Here-There_WorkPage_02.jpg" />Project&nbsp;Silkscreens <img width="1500" height="2250" width_o="1500" height_o="2250" data-src="https://freight.cargo.site/t/original/i/7ccec5051bb30fb973e0f65a96c0c09721564e31d0bd8efa6cbba5cc585777c3/LizaniaCruz_Here-There_WorkPage_05.jpg" data-mid="70138982" border="0" src="https://freight.cargo.site/w/1000/i/7ccec5051bb30fb973e0f65a96c0c09721564e31d0bd8efa6cbba5cc585777c3/LizaniaCruz_Here-There_WorkPage_05.jpg" /> <img width="1500" height="2250" width_o="1500" height_o="2250" data-src="https://freight.cargo.site/t/original/i/65623d0f00b110a1f96bf3f7106805db107d6ce48d79c52aed8f902f68304f62/LizaniaCruz_Here-There_WorkPage_08.jpg" data-mid="70138985" border="0" src="https://freight.cargo.site/w/1000/i/65623d0f00b110a1f96bf3f7106805db107d6ce48d79c52aed8f902f68304f62/LizaniaCruz_Here-There_WorkPage_08.jpg" /> <img width="1500" height="2250" width_o="1500" height_o="2250" data-src="https://freight.cargo.site/t/original/i/ab21455cadb41bca47e89f68ac8cc2ae6434ee953d17f0c1b52059bf3a0694dd/LizaniaCruz_Here-There_WorkPage_07.jpg" data-mid="70138984" border="0" src="https://freight.cargo.site/w/1000/i/ab21455cadb41bca47e89f68ac8cc2ae6434ee953d17f0c1b52059bf3a0694dd/LizaniaCruz_Here-There_WorkPage_07.jpg" /> <img width="1500" height="2250" width_o="1500" height_o="2250" data-src="https://freight.cargo.site/t/original/i/f5646615bc486357c3dc560540721494032ece408a1986d5aff421881e5ab0d0/LizaniaCruz_Here-There_WorkPage_06.jpg" data-mid="70138983" border="0" src="https://freight.cargo.site/w/1000/i/f5646615bc486357c3dc560540721494032ece408a1986d5aff421881e5ab0d0/LizaniaCruz_Here-There_WorkPage_06.jpg" /> Examples of flag designs 24 x 36 inches, 2018 <img width="1006" height="1104" width_o="1006" height_o="1104" data-src="https://freight.cargo.site/t/original/i/4aac2b75ec62e1ae49ba0290cd3422150649cad0a75e88095133a032247151ea/LizaniaCruz_Here-There_WorkPage_10.jpg" data-mid="70140319" border="0" data-scale="97" src="https://freight.cargo.site/w/1000/i/4aac2b75ec62e1ae49ba0290cd3422150649cad0a75e88095133a032247151ea/LizaniaCruz_Here-There_WorkPage_10.jpg" /> Parallels and Peripheries: Migration and Mobility, VisArt, Rockville, MD, 2019 <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/4440b5fc8f2964b97ec09352fe8d625af7af10e5369f8a1da4f838244be3e809/LizaniaCruz_Here-There_WorkPage_09.jpg" data-mid="70139254" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/4440b5fc8f2964b97ec09352fe8d625af7af10e5369f8a1da4f838244be3e809/LizaniaCruz_Here-There_WorkPage_09.jpg" /> Mentioned in: Washington City Paper October 10th, 2019 VisArts’ Parallels and Peripheries: Migration and Mobility Meditates on Crossing Borders Read more&nbsp;︎︎︎ Bomb Magazine December 20th, 2018 Familiar Boundaries. Infinite Possibilities. at the August Wilson Center in Pittsburgh Read more&nbsp;︎︎︎ ︎ Previous Next&nbsp;︎ https://lizania.com/Berlin Fri, 12 May 2023 02:37:49 +0000 Lizania Cruz https://lizania.com/Berlin Berlin Action- 16-26 July 2018 <img width="1811" height="1199" width_o="1811" height_o="1199" data-src="https://freight.cargo.site/t/original/i/2e0ad10598107c7e8fb1b2e082d90e2d1d9e621fcd78013f20ca2c430852629c/LizaniaCruz_Onepostcard_16.jpg" data-mid="204831976" border="0" src="https://freight.cargo.site/w/1000/i/2e0ad10598107c7e8fb1b2e082d90e2d1d9e621fcd78013f20ca2c430852629c/LizaniaCruz_Onepostcard_16.jpg" />Postcard documentation of action During my residency at Agora Collective in Berlin, I was struck by how welcomed I felt. I learned that Berlin had a large population of foreign residents. So, I decided to walk the streets of Berlin and gather narratives from residents about what they usually do to welcome visitors. I asked Berliners to write their welcoming habits onto postcards I designed and then mailed them to friends in the United States. <img width="1118" height="744" width_o="1118" height_o="744" data-src="https://freight.cargo.site/t/original/i/a9909b26607d888798f74e64b40db7cddb54c7778c052bd922a5d813c14e16ef/Screenshot-2023-05-11-at-10.47.12-PM.png" data-mid="178532615" border="0" src="https://freight.cargo.site/w/1000/i/a9909b26607d888798f74e64b40db7cddb54c7778c052bd922a5d813c14e16ef/Screenshot-2023-05-11-at-10.47.12-PM.png" /> Back of postcard <img width="1811" height="1199" width_o="1811" height_o="1199" data-src="https://freight.cargo.site/t/original/i/3aa12495f36e7fa93f763f47554a7c137fbc3a03cbb3713a0a52ad3377a03279/LizaniaCruz_Onepostcard_2.jpg" data-mid="204831652" border="0" src="https://freight.cargo.site/w/1000/i/3aa12495f36e7fa93f763f47554a7c137fbc3a03cbb3713a0a52ad3377a03279/LizaniaCruz_Onepostcard_2.jpg" /> <img width="1811" height="1199" width_o="1811" height_o="1199" data-src="https://freight.cargo.site/t/original/i/6454f169c3a86a001f1b711d809a4aff1852d2c80d42387b723a285e56cb91be/LizaniaCruz_Onepostcard_3.jpg" data-mid="204831653" border="0" src="https://freight.cargo.site/w/1000/i/6454f169c3a86a001f1b711d809a4aff1852d2c80d42387b723a285e56cb91be/LizaniaCruz_Onepostcard_3.jpg" /><img width="1811" height="1199" width_o="1811" height_o="1199" data-src="https://freight.cargo.site/t/original/i/537385d09656ce6a4630dd3d66cd6858c2928509a7e98fb5bcf0070e5e87a584/LizaniaCruz_Onepostcard_4.jpg" data-mid="204831654" border="0" src="https://freight.cargo.site/w/1000/i/537385d09656ce6a4630dd3d66cd6858c2928509a7e98fb5bcf0070e5e87a584/LizaniaCruz_Onepostcard_4.jpg" /> <img width="1811" height="1199" width_o="1811" height_o="1199" data-src="https://freight.cargo.site/t/original/i/5d18dbd328e9d504a1a85f97f38dfbd01d828831326e79858ce58e5418de0f8a/LizaniaCruz_Onepostcard_5.jpg" data-mid="204831655" border="0" src="https://freight.cargo.site/w/1000/i/5d18dbd328e9d504a1a85f97f38dfbd01d828831326e79858ce58e5418de0f8a/LizaniaCruz_Onepostcard_5.jpg" /><img width="1811" height="1199" width_o="1811" height_o="1199" data-src="https://freight.cargo.site/t/original/i/940645d9f6d5f6be83e5ece6da7307ef76978de0fd346422a93778e970050d1d/LizaniaCruz_Onepostcard_13.jpg" data-mid="204831973" border="0" src="https://freight.cargo.site/w/1000/i/940645d9f6d5f6be83e5ece6da7307ef76978de0fd346422a93778e970050d1d/LizaniaCruz_Onepostcard_13.jpg" /><img width="1811" height="1199" width_o="1811" height_o="1199" data-src="https://freight.cargo.site/t/original/i/9029e0b9343f9abcb1c31a61ab476b4ed2678328f6d927be7f8e56ea770f135c/LizaniaCruz_Onepostcard_1.jpg" data-mid="204831651" border="0" src="https://freight.cargo.site/w/1000/i/9029e0b9343f9abcb1c31a61ab476b4ed2678328f6d927be7f8e56ea770f135c/LizaniaCruz_Onepostcard_1.jpg" /> <img width="1811" height="1199" width_o="1811" height_o="1199" data-src="https://freight.cargo.site/t/original/i/6454f169c3a86a001f1b711d809a4aff1852d2c80d42387b723a285e56cb91be/LizaniaCruz_Onepostcard_3.jpg" data-mid="204831653" border="0" src="https://freight.cargo.site/w/1000/i/6454f169c3a86a001f1b711d809a4aff1852d2c80d42387b723a285e56cb91be/LizaniaCruz_Onepostcard_3.jpg" /><img width="1811" height="1199" width_o="1811" height_o="1199" data-src="https://freight.cargo.site/t/original/i/a26d8208f7a611f78635474df05d87691a9483f043d11cbbbdeb6f6597b2e01d/LizaniaCruz_Onepostcard_6.jpg" data-mid="204831656" border="0" src="https://freight.cargo.site/w/1000/i/a26d8208f7a611f78635474df05d87691a9483f043d11cbbbdeb6f6597b2e01d/LizaniaCruz_Onepostcard_6.jpg" /><img width="1811" height="1199" width_o="1811" height_o="1199" data-src="https://freight.cargo.site/t/original/i/fc3a30124ee8642ad73efa2e92fad217ce20fea2ccd732dbefbb2db36cf0c4ec/LizaniaCruz_Onepostcard_8.jpg" data-mid="204831658" border="0" src="https://freight.cargo.site/w/1000/i/fc3a30124ee8642ad73efa2e92fad217ce20fea2ccd732dbefbb2db36cf0c4ec/LizaniaCruz_Onepostcard_8.jpg" /><img width="1811" height="1199" width_o="1811" height_o="1199" data-src="https://freight.cargo.site/t/original/i/ace66c2344125d52588e7163b03d193963ad08bcfad93a6f5da5ad65f2e97247/LizaniaCruz_Onepostcard_7.jpg" data-mid="204831657" border="0" src="https://freight.cargo.site/w/1000/i/ace66c2344125d52588e7163b03d193963ad08bcfad93a6f5da5ad65f2e97247/LizaniaCruz_Onepostcard_7.jpg" /><img width="1811" height="1199" width_o="1811" height_o="1199" data-src="https://freight.cargo.site/t/original/i/2e0ad10598107c7e8fb1b2e082d90e2d1d9e621fcd78013f20ca2c430852629c/LizaniaCruz_Onepostcard_16.jpg" data-mid="204831976" border="0" src="https://freight.cargo.site/w/1000/i/2e0ad10598107c7e8fb1b2e082d90e2d1d9e621fcd78013f20ca2c430852629c/LizaniaCruz_Onepostcard_16.jpg" /><img width="1811" height="1199" width_o="1811" height_o="1199" data-src="https://freight.cargo.site/t/original/i/3fa50c1ff435e9e14835595c868f211efde48d4c42b57d2f84516aed32bb5deb/LizaniaCruz_Onepostcard_14.jpg" data-mid="204831974" border="0" src="https://freight.cargo.site/w/1000/i/3fa50c1ff435e9e14835595c868f211efde48d4c42b57d2f84516aed32bb5deb/LizaniaCruz_Onepostcard_14.jpg" />